Books with title Victory An Island Tale

Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved popular success. Set on an island in what is now Indonesia, the protagonist Axel Heyst along with his Chinese assistant Wang battle the hotel owner Schomberg in a tale of murder, revenge and adventure in the South Seas. Joseph Conrad (born Józef Teodor Konrad Korzeniowski(3 December 1857 – 3 August 1924) was a Polish novelist who wrote in English, after settling in England. Conrad is regarded as one of the great novelists in English, though he did not speak the language fluently until he was in his twenties . He wrote stories and novels, often with a nautical setting, that depict trials of the human spirit in the midst of an indifferent universe. He was a master prose stylist who brought a distinctly non-English tragic sensibility into English literature.

Victory: An Island Tale is a psychological novel by Joseph Conrad first published in 1915. The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section.

This vintage book contains Joseph Conrad's 1915 psychological novel, "Victory: An Island Tale". It is the story of Axel Heyst who, after a series of unfortunate events, finds himself living on an Indonesian island with his Chinese assistant, Wang. After Heyst rescues a woman from an attempted sexual assault on a nearby island, the would-be perpetrator tries to frame him for a murder. Joseph Conrad (1857 - 1924) was a Polish author who is considered to be one of the greatest authors in the English language. He first gained popular success through the writing of this novel. Many vintage texts such as this are increasingly scarce and expensive, and it is with this in mind that we are republishing this volume now, in an affordable, high-quality, modern edition. It comes complete with a specially commissioned biography of the author.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

CONRAD, Joseph (Józef Teodor Konrad Korzeniowski) (1857-1924), was born of Polish parents in the Russian-dominated Ukraine. His father political opinions caused the family to be exiled to Volagda, in northern Russia, where Conrad´s mother died when he was 7. His father also died after their return to Poland, and Conrad went to live with his uncle, Tadeusz Bobrowski, who had an enormous influence in his life. From an early age he began the career as a sailor, and in 1874 he went to Marseilles. In 1886 he became a British subject and a master mariner. In 1894, after twenty years at sea, he settled in England and devoted himself to writing in English, his third language. Towards the end of his literary career, Conrad was well established as one of the leading Modernists; a decline of interest in the 1930s was followed by increasing scholarly and critical attention. Today, Conrad is placed among the very great novelists in English language.“A Personal Record” (1912), is Conrad´s autobiography.

Victory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad first published in 1915, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work."The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section.

On approaching the task of writing this Note for Victory, the first thing I am conscious of is the actual nearness of the book, its nearness to me personally, to the vanished mood in which it was written, and to the mixed feelings aroused by the critical notices the book obtained when first published almost exactly a year after the beginning of the war. The writing of it was finished in 1914 long before the murder of an Austrian Archduke sounded the first note of warning for a world already full of doubts and fears.

On approaching the task of writing this Note for Victory, the first thing I am conscious of is the actual nearness of the book, its nearness to me personally, to the vanished mood in which it was written, and to the mixed feelings aroused by the critical notices the book obtained when first published almost exactly a year after the beginning of the war. The writing of it was finished in 1914 long before the murder of an Austrian Archduke sounded the first note of warning for a world already full of doubts and fears. The contemporaneous very short Author's Note which is preserved in this edition bears sufficient witness to the feelings with which I consented to the publication of the book. The fact of the book having been published in the United States early in the year made it difficult to delay its appearance in England any longer. It came out in the thirteenth month of the war, and my conscience was troubled by the awful incongruity of throwing this bit of imagined drama into the welter of reality, tragic enough in all conscience, but even more cruel than tragic and more inspiring than cruel. It seemed awfully presumptuous to think there would be eyes to spare for those pages in a community which in the crash of the big guns and in the din of brave words expressing the truth of an indomitable faith could not but feel the edge of a sharp knife at its throat. The unchanging Man of history is wonderfully adaptable both by his power of endurance and in his capacity for detachment. The fact seems to be that the play of his destiny is too great for his fears and too mysterious for his understanding. Were the trump of the Last Judgement to sound suddenly on a working day the musician at his piano would go on with his performance of Beethoven's sonata and the cobbler at his stall stick to his last in undisturbed confidence in the virtues of the leather. And with perfect propriety. For what are we to let ourselves be disturbed by an angel's vengeful music too mighty for our ears and too awful for our terrors? Thus it happens to us to be struck suddenly by the lightning of wrath. The reader will go on reading if the book pleases him and the critic will go on criticizing with that faculty of detachment born perhaps from a sense of infinite littleness and which is yet the only faculty that seems to assimilate man to the immortal gods.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.